the-mad-march-hare42:

ianference:

One hundred years ago today – a few hours before this will be posted – it struck the eleventh hour of the eleventh day of the eleventh month of 1918, and the Armistice went into effect, giving a de facto end to the Great War.

In honor of the centenary, I’m going to make a post somewhat different from my typically analytic posts. No details of manufacturers or camera technique; no captions with translations. Nothing but 100 images scanned from glass stereoviews, presented as easily-viewable stereo pairs, anaglyphs, and 2D single-frame photographs for the non-stereographically-inclined. They’ll be ordered in thematic sections, but they won’t focus on individual battles, individual units, individuals at all. They will be focused on the struggles of the average soldiers in the field – on what they might have seen, how they might have lived, how they might have died.

No generals will be seen, and few enough Americans – hopefully, those of us born in America have learnt enough by now to disregard the corrupted narrative we were taught in our public schools. Americans weren’t the heroes who bravely came to the aid of our allies; we reluctantly swooped in at the eleventh hour (about 18 months before the Great War’s end), when it was in our own best interest to do so. So the photographs will primarily depict the brave soldiers of France and Britain; of Belgium and Canada and Australia and all of the French and Belgian colonies. There are a few Americans in here of course – mostly those that came over early, of their own volition, on their own dime, because they believed in the cause.

I will add an addendum as soon as I can relating to the original images’ source materials – a great many of them come from the Boyd-Jordan Collection, and I’d like to thank Doug Jordan for making many of these scans for my upcoming multimedia presentation on the subject.

One final note – the final two sections contain some images that many may seem graphic to the faint-hearted. If you’re of the disposition that you’d prefer not see such imagery, please skip “Casualties of War” and “Memento Mori” – however, I suggest that, if you can, you take a look – if only briefly. After all, this was a war. And these soldiers lost life or limb to fight in this war. Some that survived would walk on artificial limbs if they walked at all; others would wear facial prosthetics, and children would turn away in horror. These men are all long gone a century later – perhaps today we don’t turn away. This was a brutal war. And the reality of facing that brutality is important to honoring those who sacrificed greatly for it.

The stereoviews will come first, in a size easily free-viewable with the parallel method, and as always will be clickable for larger version. After this will follow galleries of still images (chosen from the better side of the stereo pair) and red/cyan anaglyphs.

Lest we forget, 11/11/1918-11/11/2018.

Stereographic Gallery

Heading Out to the Front

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The New War Machines

The Big Guns

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The Armor on the Ground

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The New Battlefield of the Sky

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Life at the Front

Above Ground: Trenches and Camps

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Below Ground: Life in the Dugouts

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Ever Vigilant

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Devastated Landscapes

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Houses of the Holy

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Casualties of War

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Memento Mori

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Requiescat in Pace.

Anaglyphic Gallery

Click on the large first image, and use the forward and back arrows to navigate through the gallery. Or if your eyes are unused to seeing 100 images in 3D, and are starting to tire from the anaglyphic glasses, just click on the images that interest you the most.

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Two-Dimensional Gallery

As in the above gallery, click on the large first image, and use the forward and back arrows to navigate through the gallery. Or if you are pressed for time, or want to avoid large versions of the more graphic images, just click on the images that interest you the most.

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Endnotes

The daily Month of Remembrance posts will continue through the end of November, so please do use the buttons on the side to follow this blog – either through your WordPress account, or through your email. I give you my word – I will not spam you!

Finally, I want to once again thank Doug Jordan for his invaluable assistance in this project.

Dedicated to all of the men and women who served and assisted in the Great War.

Remembrance Day: 100 Years, 100 Photos

One hundred years ago today – a few hours before this will be posted – it struck the eleventh hour of the eleventh day of the eleventh month of 1918, and the Armistice went into effect, giving a…

musicalhell:

madhattey:

rusticbabe:

spiderman-against-pedos:

witchcryptid:

alittlebitpessimistic:

azalea-in-time:

ziamlevinestylinson:

2ollux-captor-ii2-my-dance2tor:

useless-worthless-nobody:

azalea-in-time:

When you go to a haunted house, it may seem like you’re being funny by trying to scare the actors or jump out at them when you go through a second time, but guess what? ITS NOT FUNNY.

You pay us to scare you. It is your choice to go, so don’t fucking go through if you’re going to ignore the rules and get too close to the actors as a ‘joke’.

These bruises happened because over the course of 4 hours, several people ignored the instructions that CLEARLY stated that they were to wait in the front room until told otherwise. Rather than listen, they ran into the next room and slammed into me- effectively throwing me into the wall. This didn’t only happen once. It happened ten times at LEAST.

Then we had this asshole who thought that once I ‘died’ for the haunt, he could pretend to kick me to see if I’d moved. I, being used to people abusing me- jumped back and slammed my head into the concrete wall.

YOU ARE NOT FUNNY BY BEING RUDE AT A HAUNTED HOUSE. WE ARE PAID ACTORS THAT YOU CHOOSE TO COME AND SEE PERFORM. YOU PAY US TO SCARE THE SHIT OUT OF YOU, SO DONT HIT US WHEN WE DO

I feel that this is relevant considering it is October and more Haunted Houses are opening up. I know it seems funny to scare the ‘monsters’ but all you do is hurt real people. So stop.

It’s not even October but I’m still spreading this

SIGNAL BOOOOOOOOSSSSSTTTTT!!!!!!! Now

Yeah…your director may want to consider reblocking

We don’t have a director? Or blocking??? It’s a haunted house bro, not a play

Reblogging for relevance-

I work at a Haunted House every October, and have been for the past few years. Our house in particular is staffed by Volunteer workers who are either earning credits for Graduation, or people who know the Family that owns the haunted attraction. In our City, we’re one of two Haunted Houses, so while we open in late September, we tend to get incredibly busy during the month of October and often work from 6pm until 2, 3am on weekends. 

We do not get paid to help out. Due to our location, we get a lot of drunk guys coming through, and a lot of ‘funny’ teenagers. In my several years working there, I’ve seen Actors get grabbed and thrown, stomped on, kicked, bitten, everything. A lot of the Actors at this attraction are young teenagers, Middle and Secondary School students, so this kind of abuse is terrifying and potentially emotionally scarring.

There’s a position half-way through the house we call ‘Psych Ward’, and it’s essentially a jump scare. The scare is a corner-room, boxed in with walls and broken windows, that the Actor pops out of and shouts and taunts the people going through. October, 2012, a couple were going through the Psych Ward corner and the scare went off as per usual. The girlfriend of this couple got very startled but laughed it off and continued on. The boyfriend, however, back-tracked and went up to the broken window and punched the Actor in the face for scaring his girlfriend. The Actor, who I’m going to call Tracy, had a black eye for a good two weeks solid and the couple had to be escorted out of the house and were banned from the property. Ever since we’ve ruled that Veteran Actors (someone who’s been there for 3+ years) are the only ones allowed in this particular Scaring Spot.

He paid to get scared and then got violent when we delivered.

There are so many stories I can tell of ignorant customers banging back on scares and injuring the Actors inside, grabbing props from the actors and hurting them with it, destroying props because they thought it would be ‘funny’. 

I just want to raise awareness that the ACTORS ARE STILL PEOPLE. We’re instructed to get the best kind of scare out of you, sometimes with no pay at all (like this particular attraction), so please respect our work.

We wouldn’t come to your job, mock you, and push you around trying to be ‘funny’. Don’t come to our job and do that to us!

I literally cannot believe people are angry over this post saying “don’t fucking beat up actors”

I work at a haunted hayride and a guy tried to dropkick me in the chest and knee me in the face because he thought it was funny.

I got in trouble for breaking character to tell him to fucking stop.

Ive been hit so many times this season it has left cuts and bruises. Back in 2015 I was fucking choked and dragged behind a wagon because a lady was drunk and her son had to pry her hands off me because IM NOT ALLOWED TO TOUCH YOU OR FIGHT BACK.

Most recently, a customer groped my breasts and twisted my fucking nipples. Apparently, she did it to AT LEAST twenty other actors.

THAT IS SEXUAL ASSAULT YOU ASSHOLES. ITS NOT OKAY.

Most recently a customer fucking kicked me and sent me to the goddamned hospital.

WHEN YOU GO TO A HAUNTED HAYRIDE / HAUNTED HOUSE, REMEMBER YOU LITERALLY PAID US TO SCARE YOU.

THE ACTORS ARE REAL PEOPLE.

DO NOT FUCKING HIT US.

Why the fuck would you even do this holy shit

Hey guys i know this is out of theme but that comment from @witchcryptid was me and my old url. I plan on working this job again this year if at all possible, so here’s an added psa:

If your family or friend(s) force you into a haunting, be upfront as best you can and tell actors as they come up “please do not scare me i am too anxious / scared” and 9.99/10 times we will listen and leave you alone. just communicate with us even though we most often cannot communicate back.

We may be playing monsters, but we are NOT monsters.

Also, please remember to keep your hands off of us during your haunting, and also please try to step in or speak up if you see people trying to touch us, assault us, or talking about planning to touch or hurt a staff member.

We cannot do anything and will most likely get in legal trouble for touching you in defense.

Thank you and have a spooky fall 🌻🍁🍂🍃

I…I feel really upset that this has to be a reminder ._.

I mean they should know you’re…justacting.

jesus christ…

I don’t even do haunted houses (I’m one of those aforementioned anxious people) but boosting the signal because this is seriously not cool.

whoistheoriginalman:

nevaehtyler:

21-year-old Baltimore Country man dies after being beaten up by police officers.

Tawon Boyd, a 21-year-old man from Essex, Maryland, was hospitalized after a fight with police, where he was later pronounced dead.

Police were called at 3AM on Sunday to the first block of Akin Circle in Middle River on a report of a disturbance. Boyd was found “confused and paranoid, sweating heavily.”

According to the police Boyd

refused to obey orders and began fighting officers, but victim’s family and Deona Styron, his fiance, tell a different story:

“He on the ground, 5 other officers on top of him, and not only that, one police officer got his arm around his neck like this, punching him, punching, him and throughout the whole thing he’s like I can’t breathe, I can’t breathe…”

There is no way
you can twist this story to justify the police beating this kid to death.
Police were called to help, but they ended up killing the guy. There is no excuse – they’re supposed to serve and protect and they have to be able to deal with all kinds of people. Not everyone is mentally stable, not everyone is white, but that does not give you the right to beat them to death!

#TawonBoyd   #BlackLivesMatter  #StopPoliceBrutality

#StayWoke    #Amerikkka

SOURCE: https://whoistheoriginalman.tumblr.com